OUT NOW! The Case for John Milton as the Reader of the Free Library First Folio

February 8, 2023 Claire M. L. Bourne

The “2d stanza” of the song sung to Mariana in *Measure for Measure*, added by hand on the last page of the play in the Free Library of Philadelphia’s copy of the First Folio (RBD EL SH15M 1623, sig. G6v).

Three and a half years ago, in September 2019, Jason Scott-Warren suggested that the handwriting in a copy of the Shakespeare First Folio in the Rare Book Department at the Free Library of Philadelphia might belong to John Milton. His claim was based on images of the marginalia published with an essay I had written about the 700+ handwritten inscriptions in the book and what they revealed about how one (then-anonymous) early reader engaged with the Shakespearean text. (The essay was published in Early Modern English Marginalia, edited by Katherine Acheson, for which Jason had also written a chapter.) My independent findings about the reader just so happened to match the Milton context well, both in terms of dating and modus operandi.

At long last, our article identifying Milton as the former owner and annotator of the Free Library First Folio—“‘thy unvalued Booke’: John Milton’s Copy of the Shakespeare First Folio”—has been published in Milton Quarterly (vol. 56).

CALL FOR PROPOSALS: Cambridge Elements in Shakespeare and Text

June 16, 2022 Claire M. L. Bourne

The spines of books of varying heights, colors, and ages. All the books relate to Shakespeare. — Image courtesy of Aaron T. Pratt, Harry Ransom Center (University of Texas at Austin).

Along with my co-editor Rory Loughnane (University of Kent), I am delighted to invite proposals for Cambridge Elements in Shakespeare and Text, a brand new series of short books about the textual histories, present, and futures of the Shakespearean text.

We are interested in work that thinks in new ways about textual matters around Shakespeare and stretches the boundaries of what might be considered “a Shakespearean text.” We especially welcome proposals from early career scholars and those with something to say about textual matters around Shakespeare from the vantage of fields outside book history.

SHAKESPEARE / TEXT: Contemporary Readings in Textual Studies, Editing, & Performance

June 16, 2022 Claire M. L. Bourne

The image of a book cover with a black background and abstract flourescent shapes. The text reads: "The Arden Shakespeare / Arde Shakespeare Intersections / Shakespeare Slash Text / contemporary readings in textual studies, editing and performance"

One of the great highlights of the difficult last few years was editing Shakespeare / Text, a collection of twenty agenda-setting essays about the study and use of the Shakespearean text over time and in our time. The collection was published in 2021 by Bloomsbury under The Arden Shakespeare imprint. It is part of a new series called Arden Shakespeare Intersections, general edited by Sonia Massai, Farah Karim-Cooper, Lucy Munro, and Gordon McMullan.

Written by 21 leading experts on textual matters, each chapter challenges a single entrenched binary—such as book/theater, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy—that has come to both define and limit the way we read, analyze, teach, perform, and edit Shakespeare today.

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